D H Lawrence Bibliography

D.H. Lawrence (1885-1930), English novelist, storywriter, critic, poet and painter, one of the greatest figures in 20th-century English literature. "Snake" and "How Beastly the Bourgeoisie is" are probably his most anthologized poems.

David Herbert Lawrence was born on September 11, 1885, in Eastwood, Nottinghamshire, central England. He was the fourth child of a struggling coal miner who was a heavy drinker. His mother was a former schoolteacher, greatly superior in education to her husband. Lawrence's childhood was dominated by poverty and friction between his parents. He was educated at Nottingham High School, to which he had won a scholarship. He worked as a clerk in a surgical appliance factory and then for four years as a pupil-teacher. After studies at Nottingham University, Lawrence matriculated at 22 and briefly pursued a teaching career. Lawrence's mother died in 1910; he helped her die by giving her an overdose of sleeping medicine.

In 1909, a number of Lawrence's poems were published by Ford Max Ford in the English Review. The appearance of his first novel, The White Peacock (1911), launched Lawrence into a writing career. In 1912 he met Frieda von Richthofen, the professor Ernest Weekly's wife and fell in love with her. Frieda left her husband and three children, and they eloped to Bavaria. Lawrence's novel Sons and Lovers appeared in 1913 and was based on his childhood . In 1914 Lawrence married Frieda von Richthofen, and traveled with her in several countries. Lawrence's fourth novel, The Rainbow (1915), was about two sisters growing up in the north of England. Lawrence started to write The Lost Girl in Italy. He dropped the novel for some years and rewrote the story in an old Sicilian farmhouse near Taormina in 1920.

During the First World War Lawrence and his wife were unable to obtain passports and were targets of constant harassment from the authorities. They were accused of spying for the Germans and officially expelled from Cornwall in 1917. The Lawrences were not permitted to emigrate until 1919, when their years of wandering began.

Lawrence's best known work is Lady Chatterly's Lover, first published privately in Florence in 1928. It tells of the love affair between a wealthy, married woman, and a man who works on her husband's estate. The book was banned for a time in both UK and the US as pornographic. Lawrence's other novels from the 1920s include Women In Love (1920), a sequel to The Rainbow.

Aaron's Rod (1922) shows the influence of Nietzsche, and in Kangaroo (1923) Lawrence expressed his own idea of a 'superman'. The Plumed Serpent (1926) was a vivid evocation of Mexico and its ancient Aztec religion. The Man Who Died (1929), is a bold story of Christ's Resurrection. Lawrence's non-fiction works include Movements In European History(1921), Psychoanalysis And The Unconscious (1922) and Studies In Classic American Literature (1923).

D.H. Lawrence died in Vence, France on March 2, 1930. He also gained posthumous renown for his expressionistic paintings completed in the 1920s.

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"Let there be light" Final line - Does anyone know what he was taking about?

Hi all! Brand new on here but thought i'd jump in and ask a question. Does anyone possibly know what D.H Lawrence was referring / alluding to in the final line of the poem "Let there be Light" from Chapters Into Verse? He goes from talking about how the creation of the earth was a farce to "George Washington's Grandpapa" as a closing statement. I'm unsure about whether this was a comical tool to highlight the perceived absurdity that heaven / God was real or it had some other meaning. Thanks so much in advance! :)...

Posted By kalisayswhat in Lawrence, D.H. || 1 Reply

can anyone place this quote

Hello, I have a quote by D H Lawrence: "Everyone must bear their own troubles and eat their own speck of dirt." Can anyone tell me which works or letter this quote originated?...

Posted By baconmfr in Lawrence, D.H. || 1 Reply

D.H Lawrence

What's a good novel to start with? Or a collection of short stories if he wrote any? I read some of his poetry....

Posted By E.A Rumfield in Lawrence, D.H. || 21 Replies

Was DH Lawrence gay/bisexual?

I believe he made a cryptic reference to it once. There's also that scene from Women in Love....

Posted By kelby_lake in Lawrence, D.H. || 4 Replies

Homosexuality and D.H. Lawrence

Just a quick question on eveyone's opinons how much of a feature everyone thinks homosexuality or homoeroticism is in Lawrence's novels? Obviously there are plenty of male/male relationships in the novels, but it's a concept that always seems to get overlooked and that no one really discusses (at least on this forum, anyway!) I'm writing a paper on the subject and any ideas would be greatly appreciated, thanks!...

Posted By rebecca1990 in Lawrence, D.H. || 9 Replies

Tickets, Please by DH Lawrence- Free indirect discourse or not?

Hi! I am having some trouble with this text as I can't figure out if it is in indirect discourse, free indirect discourse or a mixture of both. Please could someone help me out? Here is a quote which I think could be free indirect discourse: f course, during these performances, pitch darkness falls from time to time, when the machine goes wrong. Then there is a wild whooping, and a loud smacking of simulated kisses. In these moments John Joseph drew Annie towards him. After all, he had a wonderfully warm, cosy way of holding a girl with his arm, he seemed to make such a nice fit. And, after all, it was pleasant to be so held; so very comforting and cosy and nice. He leaned over her and s...

Posted By Cazpom in Lawrence, D.H. || 0 Replies

Marxism in D.H Lawerence, Women In Love extract. Any thoughts?

Hello. This is one of my first posts in forums at all, let alone this particular one, so go easy(ish) on me. I have a university assignment that requires me to chose two extracts from a set provided for us and analyse it using appropriate theoretical perspective. We have only been given a few common ones: feminism, Marxism, psychoanalytic and formalist seem to be the key players. There's an extract from Lawerence's Women In Love and I'm pretty sure they've set it up for a Marxist reading. The extract is below I was just wondering if anyone had any thoughts on the best way to go about it? There is loads of Marxist literary criticism out there and I would like a bit of gu...

Posted By a_keegan in Lawrence, D.H. || 2 Replies

Help me figure out this quote by DH Lawrence!

Hey guys, I'm new to this place but I'm hoping someone is willing to take a few moments to think about something that's been troubling me for some time now. I'm into quotations and reading up on old litterature and what not and I happend to stumble upon this quote by DH Lawrence: "There's always the hyena of morality at the garden gate, and the real wolf at the end of the street." Now I can't really figure out the symbolism or meaning.. I take it "garden gate" is literally the porch to someone's home.. but that's really as far as I've got it. An hyena is (from wiki): "Many cultures, including those in Africa, have historically viewed the hyena negatively, associating them wit...

Posted By spite519 in Lawrence, D.H. || 38 Replies

The Elephant is slow to mate Meaning?

The elephant, the huge old beast, is slow to mate; he finds a female, they show no haste they wait for the sympathy in their vast shy hearts slowly, slowly to rouse as they loiter along the river-beds and drink and browse and dash in panic through the brake of forest with the herd, and sleep in massive silence, and wake together, without a word. So slowly the great hot elephant hearts grow full of desire, and the great beasts mate in secret at last, hiding their fire. Oldest they are and the wisest of beasts so they know at last how to wait for the loneliest of feasts for the full repast. They do not snatch, they do not te...

Posted By skyyeatplane in Lawrence, D.H. || 0 Replies

violence in D.H.Lawrence's poetry

hi i am a new member. i have found this site by accident as i was searching for some information about violence in D.H.Lawrence's poems. In fact i need to write an essay about his reworkings and intertexuality. I found people who know a lot about him and his work. I was wondering if somebody could give me some useful advice. I am not sure if what i do is against the rules of this forum. if so i am sorry since i have never been to this site i am not accustomed to the rules. Besides english is not my first language thus i fear to have misundertood some points about the forum....

Posted By mishy in Lawrence, D.H. || 1 Reply

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David Herbert Lawrence, novelist, short-story writer, poet, and essayist, was born in Eastwood, Nottinghamshire, England, on September 11, 1885. Though better known as a novelist, Lawrence's first-published works (in 1909) were poems, and his poetry, especially his evocations of the natural world, have since had a significant influence on many poets on both sides of the Atlantic. His early poems reflect the influence of Ezra Pound and Imagist movement, which reached its peak in the early teens of the twentieth century. When Pound attempted to draw Lawrence into his circle of writer-followers, however, Lawrence decided to pursue a more independent path.

He believed in writing poetry that was stark, immediate and true to the mysterious inner force which motivated it. Many of his best-loved poems treat the physical and inner life of plants and animals; others are bitterly satiric and express his outrage at the puritanism and hypocrisy of conventional Anglo-Saxon society. Lawrence was a rebellious and profoundly polemical writer with radical views, who regarded sex, the primitive subconscious, and nature as cures to what he considered the evils of modern industrialized society. Tremendously prolific, his work was often uneven in quality, and he was a continual source of controversy, often involved in widely-publicized censorship cases, most famously for his novel Lady Chatterley's Lover (1928). His collections of poetry include Look! We Have Come Through (1917), a collection of poems about his wife; Birds, Beasts, and Flowers (1923); and Pansies (1929), which was banned on publication in England.

Besides his troubles with the censors, Lawrence was persecuted as well during World War I, for the supposed pro-German sympathies of his wife, Frieda. As a consequence, the Lawrences left England and traveled restlessly to Italy, Germany, Ceylon, Australia, New Zealand, Tahiti, the French Riviera, Mexico and the United States, unsuccessfully searching for a new homeland. In Taos, New Mexico, he became the center of a group of female admirers who considered themselves his disciples, and whose quarrels for his attention became a literary legend. A lifelong sufferer from tuberculosis, Lawrence died in 1930 in France, at the age of forty-four.

Selected Bibliography


Amores (1916)
Bay (1919)
Birds, Beasts and Flowers (1923)
Collected Poems (1932)
Collected Poems (1964)
Complete Poems (1957)
Fire and Other Poems (1940)
Last Poems (1932)
Look! We Have Come Through (1917)
Love Poems and Others (1913)
Nettles (1930)
New Poems (1918)
Pansies (1929)
Poems (1939)
The Ship of Death (1933)
Tortoises (1921)


Apocalypse (1932)
Democracy (1936)
Etruscan Places (1927)
Fantasia of the Unconscious (1922)
Letters (1932)
Mornings in Mexico (1927)
Movements in European History (1921)
Pornography and Obscenity (1930)
Psychoanalysis and the Unconscious (1921)
Reflections on the Death of a Porcupine (1934)
Sea and Sardinia (1921)
Selected Literary Criticism (1955)
Studies in Classic American Literature (1923)
The Letters of D. H. Lawrence (1991)
Twilight in Italy (1916)


Aaron's Rod (1922)
Complete Short Stories (1955)
Lady Chatterley's Lover (1928)
Sons and Lovers (1913)
The Boy in the Bush (1924)
The Captain's Doll (1923)
The Lost Girl (1920)
The Man Who Died (1930)
The Plumed Serpent (1926)
The Rainbow (1915)
The Short Novels (1956)
The Trespasser (1912)
The White Peacock (1911)
Women in Love (1916)

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